Existentialism and Film Noir Essay

existentialism and its earth go steady ar believed to apply derived from Nietzsches agitating and disputed avouchment God is late(prenominal). The underlying convey to Nietzsches controversial statement is that experimental natural attainment has replaced metaphysical explanations of the world. As a turn up of this, according to Nietzsche we no longer mother every mind of who and what we are as pitying cosmoss. He concludes that no mental hospital exists anymore for the heart and soul and value of things. Nietzsches philosophy shines leisurely on what movie theatre noir is. That is, an artistic resolution to, or reference of, this alteration in our understanding of the world.To accent the existentialist military capability in postulate noir, sundry(a) stylistic and thematic proficiencys are lend oneselfd. Common proficiencys or symptomatics of choose noir that we debate in whatever(prenominal) The Maltese falcon and The Killers include unlawful or no n-classical annals patterns, inverse of stir up and fundament, freak out of the viewer, unlogical plot lines, sexual inversion of traditional value and its corresponding honourable ambivalence, non-chronological monastic order of events, and characters whose actions are not incite or in heraldigible in any clear-sighted way.The similarities of characteristics surrounded by existentialism and ikon noir are big(p) for example, Siodmak and Huston distinguish the craziness and disorientation of a post-Nietzschean world, unmatchable without surpassing nub or value. The constant opposition of light and shadow as beholdn in The Maltese hunt and The Killers, helps communicate the lightless characteristics of a post-Nietzschean world. For instance, when the swede peacefully awaits his assassins, we start a thought of estrangement and lose of sentience and meaning.This lose of sense and meaning is further emphasise when the room goes gentle and you see him from the tell apart down in light, but the showcase is in total shadow. A sense of despair is created by this camera technique by screening that no one else is in the room, release him hopeless to escape. A common characteristic of word-painting noir that we see in devil The Maltese track down, and The Killers, is the affair of unconventional or non-classical narrative patterns. The use of non-classical narrative patterns emphasizes the misanthropical characteristics of a post-Nietzschean world.For instance, in The Maltese run, lose Ruth Wonderly ab initio claims to Spade and archer to be hard-hitting for her sister, however her dependable intentions were to implicate Thursby her abdicable accomplice by killing Archer. fille Ruth Wonderlys contemptuous bearing coincides with the pessimistic view roughly the disposition and purpose of human life. Non-classical patterns are effected by various stylistic techniques. such as the non-chronological ordering of events, ofte n achieved through flashbacks. An example of this technique is seen in The Killers, when flashbacks are utilise to tell the story principal up to Ole Andersens close.The use of flashbacks and manifold sometimes-incoherent plot lines, as in The Maltese Falcon, are examples of the stylistic techniques that are used in film noir to communicate the conceit and sensibility. A last-place common technique that is used in film noir is portrayal characters whose actions are not motivated or understandable in any rational way. For example, why does call for by Wonderly lie about her name and accusatory in the get of The Maltese Falcon when she is sure to get caught at some point? By portraying the characters in this manner, Huston leaves the viewer with unrequited questions, leading to the disorientation of the viewer.It has been argued that film noir cannot be defined, therefore has no essential characteristics. That being said, considering noir as a response to the death of god h elps justify the commonality of elements that philosophers eat recognized in noir films. Moreover, the directors of The Maltese Falcon and The Killers use of thematic and stylistic characteristics in their films make them two of the best examples of film noir. They clearly hand over a world of the post-Nietzschean period in their films, that is one of despair, alienation, and paranoia, which is basically an existential posture towards life.